Studio Locale turns a bus shelter into a pop of joy
At Studio Locale, we believe branding should do more than sell—it should connect. And sometimes, it should simply surprise.
That’s the idea behind our latest project: a full takeover of a local bus shelter, transformed into a vibrant, artistic experience that brings a moment of colour to people’s everyday routine.
Working with GRT and Pattison Outdoor, we designed a wraparound visual installation that reframes the shelter as a public canvas. This is more than decoration; it’s a chance for people to pause, smile, and feel something unexpected.
“People are overwhelmed by noise, algorithms, and sameness…”
Philip Mondor RGD, Partner/Creative Director at Studio Locale
This project is also a direct response to a question we hear often: Why don’t more design studios advertise themselves?
So we decided to lead by example.
By using our creative strategy, media expertise, and bold design thinking, we’re showing exactly how powerful it can be to step outside the expected.
“Our approach invites pause. It’s a reminder that when brands connect on a human, emotional level, they build something much more powerful than recognition—they build relationships.”
We believe traditional formats, paired with digital and experiential thinking, can create meaningful brand moments that linger long after someone’s moved on.
This shelter is just one instance of that idea brought to life. It’s a small but vivid way of showing how art, design, and strategy can come together to shape how people see and feel about a space (and a brand).
Want to create something unexpected with us?
Fighting sameness
Think you have what it takes to put out original advertising and marketing campaigns? It’s not for everyone. Trying something different can be risky. Wondering off the path of what others are doing could land really great, or could stand out in a way you’d rather forget.
Building a marketing campaign that’s fighting sameness from others in your space, when done smartly, has its rewards with a great payout.
There’s a feeling of sameness in the ad space that a lot of people are seeing. You’re sure that you’ve read that headline before but can’t place from where; or saw the same models used for that ad’s perfect family in the article you just read yesterday.
There’s a formula being used and it’s pretty easy to spot. Yep, marketing and advertising 101 best practices tell us to include a headline, supporting imagery, and a call to action. Those are critical elements of a campaign and its ads, and are not what’s being referred to here. Instead it’s the execution of those components that’s become predictable.
Need a headline? ChatGPT or CoPilot (aka synthetic word extruders) can provide a fistful in a matter of seconds. Need an atmospheric image to place your slogan and logo next too? No problem with stock sites having an overwhelming number of city agnostic photos that you can use.
As a result, the same approach and sources are being used to create campaigns, making the world of ads and marketing feel flat. And why some of us are working hard to fight sameness.
Think you have what it takes to put out original advertising and marketing campaigns? It’s not for everyone. Trying something different can be risky. Wondering off the path of what others are doing could land really great, or could stand out in a way you’d rather forget.
Building a marketing campaign that’s different from others in your space, when done smartly, has its rewards with a great payout.
There’s a feeling of sameness in the ad space that a lot of people are seeing. You’re sure that you’ve read that headline before but can’t place from where; or saw the same models used for that ad’s perfect family in the article you just read yesterday.
There’s a formula being used and it’s pretty easy to spot. Yep, marketing and advertising 101 best practices tell us to include a headline, supporting imagery, and a call to action. Those are critical elements of a campaign and its ads, and are not what’s being referred to here. Instead it’s the execution of those components that’s become predictable.
Need a headline? ChatGPT or CoPilot (aka synthetic word extruders) can provide a fistful in a matter of seconds. Need an atmospheric image to place your slogan and logo next too? No problem with stock sites having an overwhelming number of city agnostic photos that you can use.
As a result, the same approach and sources are being used to create campaigns, making the world of ads and marketing feel flat. And why some of us are working hard to fight sameness.


See what we mean?
Variations of these two ads are pretty common to see. There is nothing in them that is fighting sameness making them easily recognizable as one specific brand.
And when people are walking or scrolling by, they see this


Want your ads to be more memorable?
Avoid your campaign falling into the ad-abyss by building these components into it
- Make an emotional connection that’s relatable and real, exploring all of the potential feelings (emotional ≠ sappy)
- Show how you are different through features, values, branding, or all of the above
- Use your own language and images where you can. It makes your brand distinct and harder to copy
Effective campaigns are creative, memorable and make an emotional connection. Lack those, and your campaign will lose in fighting sameness in the brandscape.
The Importance of Printed Media in the Digital World
In today’s digital age, it may seem like printed media is becoming obsolete. With the prevalence of smartphones, tablets, and laptops, many people believe print is a thing of the past. However, despite the rise of digital platforms, printed materials continue to play a significant and valuable role.

The Tangibility Factor
One key reason print endures is its tactile nature. In a world overwhelmed by screens, the experience of holding a book or flipping through a magazine is unique. Many people find that interacting with print fosters a deeper connection with the content. It’s an immersive, sensory experience that digital media can’t replicate.

Credibility and Trust
Print also carries a sense of credibility and trust. In an era of fake news and misinformation online, printed media is often perceived as more trustworthy. Editorial standards in print are typically higher, and many readers feel more confident in what they’re reading, as print publications undergo thorough editing and fact-checking.

Print in Marketing
For businesses, print offers an opportunity to stand out. In a digital world full of ads, physical materials like brochures and catalogs can create a more personal connection with customers. Direct mail campaigns, for example, often generate higher engagement and a longer-lasting impact than their digital counterparts, which can get easily lost in crowded inboxes.

Information Retention
Print remains a powerful tool in advertising. Studies show that consumers retain information better when engaging with print materials compared to digital ads. Printed advertisements also help reinforce brand identity, build trust, and create lasting impressions, making them an essential component of a comprehensive marketing strategy.

Sustainability and Print’s Evolving Role
The print industry has made strides in sustainability. Many publishers use recycled paper, eco-friendly inks, and green materials, making print more environmentally responsible. While digital content can be energy-intensive, print can be considered more sustainable when produced responsibly.

The Future of Print: Coexisting with Digital
Rather than being outdated, printed media is finding its place alongside digital content. Both formats have their strengths—digital excels in quick access and interactivity, while print offers depth, permanence, and a tangible experience. Print continues to thrive in a digital world, offering a unique and valuable complement to digital platforms.
In conclusion, despite the dominance of digital media, printed materials continue to hold significant value. Whether it’s the tangible experience, trust, marketing impact, or educational benefits, print remains an essential medium in today’s world.
'What’s your story and how are you telling it?' – Phil’s talk at the CFFB
Phil recently had the opportunity to do a presentation at The Centre for Family Business, where he spoke about what makes a good business story and why it can be a huge asset for your brand.
Here are some of the key take-aways!
A good business story can be a huge asset to your brand.
It can position you well against your competitors. It can help you connect with your target customers. It can give people insight to your core values. It can demonstrate your commitment to something.
But your story may be different than what you might first think it to be.
At Studio Locale, we approach a story a bit different from what some might expect, because we feel it’s more than what you might think it is. It’s not just your origin story. While that may be interesting to some, it’s likely not the core reason why someone chooses to work with you.
People often think a company brand is “just” the logo.
But a brand is much more than that. Your logo may be the picture that pops into someone’s head when they think of your company, but your brand is really the sum of all of the different touchpoints it has with the world. Your brand story is exactly the same. It’s not just what you have on the About page of your website, it should be on every touchpoint you have with your clients.
Are you memorable?
The other thing to be aware of is that people only have so much capacity to remember. Our brains have a “memory slot” for all the different things that we might need to remember, and most of us have a lot going on in our heads.

But when we have a moment of calm, we want there to be a clear picture, or story, for people to remember your company. We want your story to help people catalogue your company as the one they remember for that slot in their brain.
So before your ‘story’ is shared, stop and consider what part of your story matters to your clients. What part adds to the value you offer customers, what part helps you differentiate yourself from your competitors, and how easy it is to remember.
What matters to your clients?
Many companies are sharing the “Canadian” part of their story right now, and understandably so. We all want to do our part to support fellow Canadians, so it’s thinking how that offers value to your customers, or differentiates yourself from your competitors. If there are other Canadian companies in the mix, it’s not a story that is going to necessarily be enough on its own.
Once you know what your story is, you can begin getting it out into the world. Remember you want it to be clear; you want it to be easy to understand; and you want to share it consistently everywhere.
A good test to tell how clear your brand story is – Do others say the same thing? What do your employees say? What about your partners or suppliers? You may have brand ambassadors? And most importantly, your clients. Fingers crossed they are all saying some variation of your story, building up a really solid brand experience.

Our Brand Story
We are a branding and marketing agency here in Kitchener and we’ve been quietly working away at building brands for more than 10 years. We really love building brands and marketing companies who are working to get to the next level – whatever that might be for them.
That’s our story. Digging deep to help our clients succeed.
So when we talk about weaving your brand story into all of your touchpoints, we’ve practiced what we preach and we started at the beginning when we developed our name.

What’s a locale?
The definition of locale is an area or place, especially one where something special happens. It creates the setting for the story to begin. It sets the tone and establishes the mood. When we are working with our clients, we immerse ourselves into their world, digging deep to understand their values and culture, their industry, their clients, to set the foundation for THEIR story to be told through their branding, website and marketing materials.
That’s why if you take a look at our work, you won’t see a ‘house style’, or ‘trending’ designs across every project, because that’s not what works for our clients in their space.The role of our team is to work with our clients to figure out what their story is, why it matters to their customers, and how that sets them apart from the rest of companies they are competing with.
To conclude…
If your story is consistent across each interaction and moment, can be clearly understood, and resonates with your clients, then it’s contributing as an effective brand tool in your larger brand toolbox.
Studio Locale’s Robin Mondor Discusses the ‘Open’ Program on the Mike Farwell Show
Robin joined Mike on the Mike Farwell Show to discuss our “open” program, which offers local nonprofits a week of pro bono design, marketing, and development support. We’re thankful for the chance to highlight our commitment to giving back and helping organizations overcome challenges. Thanks, Mike, for the opportunity!
M: In studio guests are some of my favourite guests, and somebody that I have communicated with many times over the years is finally in studio sitting across from me, Robin Mondor, the owner at Studio Locale. Good morning. Thanks for being here.
R: Thanks for having us, Mike.
M: Tell us a little more about Studio Locale and what you do there.
R: Yeah. For sure. So we are a branding and marketing agency here in Kitchener Waterloo, and we focus on helping our clients kind of hone in on their messaging and communications and brand to kinda get them to the next level. So that’s really our passion and that’s what we do. We have a wide range of different clients that span all sorts of different industries and different points in their timeline and where they are with their business. So we just kinda jump in and help them.
M: Yeah. And that help that you do has been so successful and so highly regarded. That’s how our paths have kind of crossed electronically Yep. Over the years.
M: But what I love about the purposes of today’s conversation, Robin, is your emphasis on giving back as well, helping out nonprofits that may need some support in that space.
R: Yeah, it’s a tricky time for sure for nonprofits, and I know a lot of them are kinda feeling the pinch from provincial and federal funding or potentially philanthropic funding, and everyone else is feeling the pinch. So, we have a program called Open, and we’ve had it informally for a number of years. We’ve always given back to our community through different projects and different groups that have reached out, but this has kind of formalized it over the last few years.
So we’re excited to do that. We dedicate an entire week and give a full week of design, marketing, and development time to a not for profit who’s looking for some extra support.
M: And what a happy coincidence that the organizations that you were able to support last year are two that are very near and dear to my heart, the, Gault Curling Club in Ayr.
R: In Ayr. Yes.
M: Right? Or the Ayr Curling Club. Yes. Yeah. And I I say that because buddies of mine that I played ball with in the summer started curling in the winter, and that’s where they curl on Broom Street in Ayr. And I could never join because I’m too busy with my hockey season, but they have thoroughly enjoyed it. And then ink stained wretches and my buddy, Mirko, and the hard work that they do. But how were you able to support the air curling club and ink stained wretches?
R: Well, with Ayr Curling, so they wanted to kinda become more of an inclusive group, and so they wanted to drop the name or the the term club from their name. So they’re simply now Ayr Curling and wanted to refresh their identity to reflect that. So they had an older, very traditional looking logo and wanting to have with the name change, have something that visually made it feel like it was more open and accessible to everyone in the community.
M: So why is it important to you, Robin, as a business owner to give back in this way?
R: I think everyone’s kind of looking for an opportunity to give back. And I think for ourselves, because our focus is on marketing and communications and helping make connections with, our clients’ target audiences, not for profits are looking for help in that making that connection. And so it was really it felt like something that was kind of a no brainer to make that connection with our with our not for profits in the community to help them connect. Where are they struggling? Is it are they struggling to reach, from a fundraising perspective? Is it, you know, connecting with theirs their community and who they’re looking to support? So it just kinda felt like a natural fit.
M: So I’m sure there is an application process that goes along with this because as much as you would love to, you can’t do it for everybody. How can a local not for profit apply for open?
R: Yes. So we have a web page on our website, studiolocale.com/open. And on there, there’s an application form. Because it is just for one week, we run it really, really quickly. It’s almost like a sprint to folks who are familiar with that term. So we’re starting typically on a Monday and wrapping up on a Friday. So we ask the not for profits to kinda be a little bit prepared for that week and come in so that we can hit the ground running. So we wanna know as much as we can about what you’re looking to do, where your challenges are, where there’s an opportunity for us to potentially help. And then that way, when we start off the project, we’ve got everything that we need, and we can really start getting into the details of it versus trying to understand more.
M: Are there any parameters around the organizations that are eligible to apply?
R: So what we say is we like to focus on organizations that support youth, equality, and social responsibility. But I think if you think about it, that’s almost every sort of not for profit. So there’s a lot of flexibility in terms of who we’re looking or who we could potentially help. It’s really how folks are sharing their information with us that helps our team decide who we’re gonna work with.
M: And once those applications start coming in, Robin, are you able to work out a mutually convenient time for the organization to let you in the doors for that sprint that given week? Or do
R: yeah. We try to do it typically in June. Okay. We find that if we wait a little bit later, we start getting into people being on vacation and away for the summer. And then in the fall, a lot of not for profits are ramping up into their end of year fundraising activities. So that time frame seems to work for most folks. Obviously, again, we’re flexible. So if it really is gonna be a pinch, we can talk about different time frames. But for the most part, that seems to work before people head off for the summer.
M: Alright. I wanna point folks in the direction of studiolocale.com/open. That’s where you’ll learn more about the program. You can fill out the twenty twenty five application form because I’m looking at it right now. Easy to find. And, one of our local nonprofits can get some support from Studio Locale in that week long sprint. Thanks for the work that you do, Robin, and thanks very much for being with us on the show today.
R: Thanks for having me, Mike. We really appreciate it.
M: Robin Mondor, the owner at Studio Locale. Again, check out studiolocale.com/open.
Managing your online product catalogue through your website
When your dealer network relies on your online product catalogue as a sales tool, you want managing it and keeping it up to date to be easy and quick.
Hanstone is a Canadian manufacturer of custom-made, solid wood furniture and since 1999, they have remained a family-owned business building furniture that’s crafted for life.
With more than 25 lines for all areas of the home, their website is the primary sales aid for its dealer network. The site’s online product catalogue is used by the dealers and their customers when selecting woods, stains, finishes and hardware across their furniture lines. With literally hundreds of combinations, the online pages are a critical component when a client is finalizing their custom order.
Handstone’s online product catalogue has been in existence for more than 12 years. A custom built website, the public facing pages of the site follow the sales journey as it would in store. Furniture lines are presented by collection or room, with custom finishing options easy to find and select. The site was built for the Handstone team to easily upload new product lines and finishing options, update their dealer locator, as well as furniture care tips and tricks videos and other support information.
When it came time to refresh the overall appearance of their website and upgrade the development platform, the forethought into the initial site saved the Handstone team considerably, eliminating the need to rebuild the product management section and re-enter all of the furniture and options available. The visual redesign allowed for larger product photos and gave the entire experience a more contemporary feel.
With an updated online product catalogue, Handstone is well positioned and set to continue building furniture that’s made to last.
Perfectly imperfect food in advertising
Show my the ugly food! Not the rotten, inedible, or otherwise nasty food, but the perfectly imperfect, still good to eat food.
With almost 60% of food produced in Canada going into landfills, or never even making it to stores or markets, we need to change how we look at and select our fresh food. And very possibly it begins with those of us responsible for marketing that food.
Since the beginning, the most perfect fruits and vegetables have been chosen to showcase in ads to demonstrate their quality. And even those were not deemed perfect enough, being colour corrected and adjusted before the final ad was published.
Some campaigns have embraced a crazy idea – showing foods that are not 100% perfect, but still 100% perfectly good to eat! However we are so conditioned to look for that idyllic piece, that messaging is needed to show that the food is still good to eat.

A number of retailers and producers sell it at a discounted rate as well, as though these imperfect harvests were lesser than their more attractive versions. (Check out the Inglorious Fruits & Vegetables campaign, the Naturally Imperfect line introduced by NoName, and even the addition of googly eyes to ugly produce to help move it off the shelves.)
As marketers and designers, can we not lead an acceptance of the imperfect and include these in our ads and images? Can we do it without calling out the use of imperfect food to make it just seem normal!? It is how our food naturally grows….
If the change is subtle and progresses overtime, could we all move towards a taste of all shapes, sizes and colour variations for our food and reduce food waste?
Colour influence and perception
It’s a black & white world. Blue is blue right? Well now that depends.
Colours, like teenagers, can be tricky business and be easily influenced by other colours around them.
Josef Albers Homage to the Square series is based on the realization that colour only exists within the context of other colours. That what we may know about colours, and our understanding of how they will react with each other, is something that is not always easily predictable.
Albers shows us this – the two small squares in plate 1 are the same colour. The colours he chose to surround it heavily influenced how it appears to our eyes. The small square at the top appears to be a lighter brown than the one at the bottom.

The same goes for Plate 2. Here the small square on the left looks to be the same colour as the surrounding orange to the small square on the right. Hard to believe the small squares are exactly the same colour.
Influencers I tell ya …
Individual perception is also really important. You and I don’t see colours the same way, even when they are in isolation from other colours. Have you tried the test visual neuroscientist Dr. Patrick Mineault created? It maps how we see blues and greens differently from each other. Even with the professional eyes in our studio, we saw the two colours differently.

So the next time you are looking at colour, whether for your branding, marketing or your living room and talking with others about the colour, remember to keep the gloves on if others see it different from you. Blue is not always seen as blue. We don’t all see it the same way.
Studio Locale celebrates 10 years
Hard to believe that we’ve had 10 amazing years of supporting our clients and working with a fantastic team and partners.
We love being a design agency here in Kitchener Waterloo! A lot happens over 10 years – this is just a glimpse.
Forever grateful to all of our team members and clients.
Continuously looking forward to the future.
Starling Community Services
The Challenge:
Lutherwood is a not-for-profit social services provider of mental health, employment and housing services in Waterloo Region. They have been providing these services since 1970 and are seen as an integral member of the community’s support services landscape. Over its lifetime, the organization and its team have been a consistent advocate of and supporter to the region’s vulnerable youth and those who find themselves in need of additional support. Their services have expanded to include employment and housing assistance.
What has changed since its inception is the demographics of the community. Waterloo Region is a much more diverse area than it was 50+ years ago and the reference to the Lutheran church no longer resonates with those they are looking to support.
Due to their value of supporting clients in ways that they need to be supported, Lutherwood decided to rebrand and change their name proactively.
The team was very clear in what they needed in a new brand. It must be:
- Neutral and agnostic
- Sound friendly, open and accepting
- Easy to read and say
- Unique from similar service providers in the greater area
What We Delivered:
A new name and visual identity
Lutherwood started their rebrand working with another agency. When it became apparent that the names suggested weren’t aligning with their goals, the team approached Studio Locale for our help.
Our team quickly got up to speed with the work from the past year and the names already considered. We delved into their values and overarching mission to be a support partner for anyone in the community.
Priding themselves on offering multi-services across various life stages and focusing on what the individual needs vs. a one-size-fits-all approach, we explored names that reflected this. What started as an exhaustive list was narrowed down to two front runners that would be shared.
Rebranding an existing organization can be challenging, especially when it’s not a result of something negative. There can be personal biases brought to the discussions during reviews and selection – those caused by a concern of choosing the wrong name or a reluctance to the rebrand in general.
To help reduce any personal hesitations or negative associations, our team took care to present the story behind each option. In addition, they were presented to the core team alongside unique visual identities. This helped frame the new brand to the core team and board members, similar to how others would see it for the first time.
Starling Community Services was chosen as the new name. It reflects their core values of hope, togetherness, agility and guidance. Starlings work together, moving as one, smooth and fluid. They react to the closest six birds around them, creating beautiful patterns as they all fly and work together.
This new name pairs really well with their outward statement: Caring people. Strengthening lives.
The visual identity was crafted using a font that has a sense of their legacy, but is also still modern with a welcoming quality to it. The element above the name is referred to as a murmuration – the name of a group of starlings. This supports their culture of moving forward, shifting as needed to support their clients.
When it came to colour selection, we used images of starlings for inspiration. We found that purple appears depending on how the light reflects off the bird. This is similar to how we see them working with their clients, when you look at challenges from a different perspective or angle it presents different opportunities to work through them.
The colour purple can be associated with so many different things; creativity (a nod to their culture of innovation), mindfulness & calmness (thanks to the undertone of blue), as well as energy (with the red component).
Brand introduction video
As with any larger organization, rolling out to the team can induce a bit of anxiety. To help with the introduction of the new brand to their board as well as their entire staff, a launch video was developed to link the new name with their values and services. In doing so, the team understood that all of the work they had helped with to summarize their values and what made them different, had been used as the foundation for the new name development.
This link to all of their efforts and input supported the internal and external launch of the new brand identity.
Brand playbook
With an internal communications team, they needed the tools to let them roll out the new brand across all of their internal communication materials.
The Brand Playbook provides them with all they need to successfully manage the new brand and includes logo variations, logo sizes, logo dos and don’ts, along with the complete colour palette that can be used.
Website updates
Studio Locale designed the Lutherwood website in 2022. When we build websites, we develop them in such a way that it’s easy to make updates should there be any changes within the brand. So updating the website to reflect the new Starling Community Services brand was really smooth.
The Results:
The Starling team and community has responded to the new name in a wonderfully positive way. Their CEO is proud to introduce their new brand with other organizations and community partners, and is thrilled with how it’s re-energizing their internal team.
“We came to Studio Locale with a branding challenge. Lutherwood started as a service to help 10 youth struggling with their mental health and had grown to a multi-service agency aiding more than 18,000 people annually. After conversations with the community and staff, we realized that we needed a new name that honoured our past and reflected our welcoming, equitable services.
After a year of research and discussions, we had hit a roadblock. Studio Locale stepped in, asked key questions, and proposed Starling Community Services. The name ‘Starling’ symbolizes teamwork, adaptability, and resilience, much like our staff and services, and the root word ‘star’ represents guidance (stars) and quality (gold star). Studio Locale also designed a logo inspired by starling murmurations and a colour palate to represent and harmonize our three distinct service areas. We are very grateful for their creativity, ability to integrate into our process, and invaluable support of our branding journey.”
Chris Sellers
Director of Communications
Starling Community Services
Industry
Social Services
Discipline
Naming, Logo, Website, Graphic Design, Marketing Materials
Project Team
Anneta Wamono
Anson LeClair
Erynn Hayden
Jessica McLachlan
Truc Hoang
Philip Mondor
Robin Mondor
Advertising for leads vs brand awareness? What are your options?
Just imagine your business had an unlimited budget for advertising, wouldn’t that be sweet? In that case, you don’t have to consider a media plan, just simply spend it across media channels.
Unfortunately, it’s not the reality, as business owners/ marketing team, we always have to consider which media channels are more effective and the right choice to achieve our business goals. More often than not, Google Search Ads and Social Media Ads (aka Facebook/ Instagram/ LinkedIn) happen to be in the mix, and there comes the question: which one is right for your business?
Google Search Ads:
An advertising platform that allows advertisers to display ads on Google search result pages. When users search for the products or services your business offers, Google will base on the keywords users use to display your ads. The most common type of Google Search Ads is a text ad, which appears on the search results page. Google also offers display ads, shopping ads, video (YouTube) and in app ads on various Google properties.
Social Media Ads:
When scrolling through feeds on Facebook, do you see those posts with the “Sponsored” tag? Those are Facebook Ads, same practice for Instagram, X (Twitter), and LinkedIn.These ads can be targeted to specific audiences based on demographic data, interests, and behaviors.
Social Media Ads and Google Search Ads are both popular and have their own strengths. We just need to make sure to use them to achieve the right objectives.
Generally speaking, social media ads are good for building brand awareness, reaching a vast audience at the same time. If your marketing objective is to connect with customers, tell a brand story, or build awareness, social media ads will help you do the job.
Google Search Ads on the other hand tends to be more effective in generating leads. When users search for a product or service, they are likely to be in the consideration phase and will soon make a purchase. Besides that, Google Search Ads have advanced machine learning algorithms, rich historical data, and concise engagement with related ads, which helps your ads target users who are more likely to convert.
With regards to media cost, Facebook Ads are usually easier on the pocket book than Google Search Ads. As of February 2024, Facebook Ads typically have a lower average cost per click (77 cent) than Google Ads ($4.22) (Source: Shopify – https://www.shopify.com/ca/blog/google-ads-vs-facebook-ads)
While Google Search Ads offer a variety of ad formats, text-based ads are still the most popular. We can include images in display ads but they are not as effective as text-only ads. Social media ads are different, they use images or videos to increase the visual appeal of the ads, and tell the story in a more attractive way. If your team has different ad formats and creatives, social media is the right platform for you.
So to answer the question “Google Search Ads or Social Media Ads”, it all comes down to what your business goals are, who you want to target and how much media budget you have. Or maybe a media plan that combines both social media advertising and Google Search Ads is the answer?
The world is craving real, human connections
It was no surprise that the 2023 word of the year was authentic. In the digital space, we’re well into an era where the main goal is to satisfy the large search engines and algorithms. Across all of the social platforms, getting the most likes for a post and increasing followers is the primary measure of success. In order to achieve this, formulas are followed, content is repeated, influencers and AI are being employed, and eventually everything is the same (check out the book Filterworld for an interesting read on how algorithms flattened culture).

Thing is, customers are getting wise and can see when the game is being played and when a brand is being real.
Playing to rank higher for searches and click throughs or to get that viral post may work in the short term. Using AI to generate content gets it done faster, but can lack originality or new ideas. It’s like watching one person work a room to say hi to the most people, not really caring about what the other people are saying back.
If you want to truly connect with your customers, design for real, human connections.
So what does that look like? It’s more conversational. It’s more listening. It’s more personality. It’s more creative. It’s building long-lasting relationships, adding value, and being mindful of how cherished our own time is.
Brands that rethink their strategies to be more genuine are going to see higher brand loyalty in the long run.